LEE BAE - CYCLICAL TRANSFORMATION & IMMERSIVE SPACES
In his impressive shows Lee Bae creates physically immersive environments of black & white ...
DARKNESS VISIBLE _ A NEW PHOTOBOOK BY MANI NEJAD
A formal black & white study with stunning takes on urban landscapes and their structural qualities...
EERO AARNIO – CELEBRATING FINISH DESIGN
"I began to design furniture, because a piece of furniture is the most important and most prominent product of an interior, and a chair is the most difficult and most fascinating thing to design" - says Eero Arnio, one of…
SHOWCASE – MONIKA SOSNOWSKA
Monika Sosnowska is known for her often site-specific architectural installations created by appropriating construction material to create impactful and elegant sculptures that comment on the post-war architecture of her native Poland. In a dynamic approach to materiality the artist manipulates…
NATURAL TEXTURE – DAVID NASH SCULTURES
David Nash has been in a constant dialogue with trees for more than 50 years, not only those of his home region of North Wales, but also the trees of Japan, California, Portugal, and more. As sculptor he does not…
“ONE BUT TWO” – OTIS KWAME KYE QUAICOE
The son of a twin, Otis Kwame Kye Quaicoe takes on the subject of dualistic representation and double portraiture in twelve new large-scale paintings ...
“FIRE” LUIZ ZERBINI AT STEPHEN FRIEDMAN GALLERY
Juxtaposing organic and geometric forms, Zerbini’s paintings explore the relationship between colour, light and movement. Inspired by the Amazon ...
“ON HANNAH ARENDT” PETER KENNARD AT RICHARD SALTOUN
Since the late 1960s, Peter Kennard has been equipping his audiences with a deeper understanding of the violence, inequalities and injustices in our society, while actively protesting against them ...
“AMERICAN GEOGRAPHY” DOCUMENTED BY MATT BLACK
Matt Black's work explores the connections between migration, poverty, agriculture, and the environment.
“MODEL STUDIES” THOMAS DEMAND AT SPRUETH MAGERS GALLERY
“I have always been interested in working models–more so than in the neatly finished models that the architect shows to the client, because there the design is already more or less fixed and the ...
