• Art

    Emma Webster

    Emma Webster’s eerie compositions are invitations to travel beyond traditional vistas and into seductively hybrid environments that metabolize, materialize, and alchemize. Rendered in oil paint, her landscapes are simultaneously imaginary and familiar, gravity-defying yet abiding an internal order. To arrive…

  • Art,  Blackqube

    Luca Sára Rózsa – The tree of Knowlege

    Steve Turner Gallery, Los Angeles is currently presenting Naked Mammals, the American debut solo exhibition for Budapest-based artist Luca Sára Rózsa. The exhibition features recent paintings that depict unclothed humans within nature. As the artist describes it, “nature plays a…

  • Art

    SUE WILLIAMS

    Since beginning her career in the 1980’s, Williams’ oeuvre can be defined, in part, by its transition from boldly narrative and satirical, cartoon-like paintings exploring themes of feminism, violence, and inequality, to all-over compositions of brightly colored semi-abstractions, retaining the…

  • Art,  Blackqube

    Adrian Ghenie

    The Fear of NOW is an exhibition of new oil paintings and charcoal drawings by Romanian-born, Berlin-based artist Adrian Ghenie. He fuses the profoundly personal with the art historical, bridging the abstract and the figurative to examine the impact of…

  • Art,  Blackqube,  FEATURED

    Guillaume Durrieu – L’argument littéral

    Paris based Galerie Rabouan Moussion is currently presenting “L’argument littéral” – a solo presentation of French painter Guillaume Durrieu. The artist develops a process-oriented way of painting, both abstract and concrete, in large formats that he confronts with other mediums,…

  • Art

    Margaux Williamson

    Margaux Williamson’s paintings can be seen as a re-invigorated form of figuration. In her works, characterised by a sense of interiority and intimacy, Williamson explores how the visual markers of daily life can frame and refract experience. Devoid of protagonists,…

  • Art

    Adam Pendleton

    “How do you make sense, on an emotional, intellectual, and pragmatic level, of the visual residue one leaves behind?”, Pendleton asks. His works capture a microhistory of marks and impressions: drips, splatters, strokes, erasures, shapes, word fragments. These are the accumulated…