• Blackqube

    Daniel Arsham & Perrotin

    In his latest exhibition at Perrotin Gallery, Daniel Arsham debuts multiple series of work that draw inspiration from the evolution of his artistic practice over the past two decades – honoring his longstanding collaboration with Emmanuel Perrotin. Renowned for visually transforming cultural objects into subtly eroding artifacts, Arsham showcases the power of nostalgia by conflating past, present, and future. He returns to his oeuvre to examine and reflect on his appreciation for the complexities of materiality and space. Especially of interest is Arsham’s return to painting, his early primary medium, from which he diverged with an ambitious program of sculpture,…

  • Art,  Blackqube

    MARCUS JAHMAL – FLUID METAPHORS

    Marcus Jahmal’s paintings operate like a flexible, moving chessboard, composed of various color fields, on the ground of which a cast of characters play an eerie game, as in a dream. A woman’s leg protrudes into the picture; a cat…

  • Art

    CAROL BOVE

    New York based artist Carol Bove is best known for her large-scale sculptures made of crumpled stainless steel tubing, each combined with a large, circular glass disk. Presented in a monochrome environment, her installations consider the phenomenological experience of form…

  • Art,  Blackqube

    MERETE RASMUSSEN – CURVE AND FORM

    Known for her signature abstract forms brought to life with colour, Merete Rasmussen continues to surprise and to impress with her sculptural ceramics – both as free standing and wall hung objects. The artist’s sculptures combine beautiful organic forms with…

  • Art

    Emma Webster

    Emma Webster’s eerie compositions are invitations to travel beyond traditional vistas and into seductively hybrid environments that metabolize, materialize, and alchemize. Rendered in oil paint, her landscapes are simultaneously imaginary and familiar, gravity-defying yet abiding an internal order. To arrive…

  • Art

    SUE WILLIAMS

    Since beginning her career in the 1980’s, Williams’ oeuvre can be defined, in part, by its transition from boldly narrative and satirical, cartoon-like paintings exploring themes of feminism, violence, and inequality, to all-over compositions of brightly colored semi-abstractions, retaining the…