GERHARD RICHTER AT FONDATION LOUIS VUITTON PARIS
Now on show at the Fondation Louis Vuitton in Paris is one of the most ambitious retrospectives of Gerhard Richter’s career. Running through 2 March 2026, the exhibition spans more than six decades of Richter’s artistic practice, presenting around 270…
ART BASEL PARIS 2025
This week, Paris will once again remind the art world why it has always been more than just a backdrop. The fourth edition of Art Basel Paris opens at the Grand Palais from 24 to 26 October, bringing together over…
JASON BOYD KINSELLA – ALCHEMY OF THE INTERNAL SELF
Enjoy “Alchemy of the Internal Self” – a new show at Perrotin Gallery Shanghai and discover the work of Jason Boyd Kinsella following him in his foray into combining various mediums, such as painting, sculpture, and video. Kinsella is a…
TRACEY EMIN – LIFE AS PRIMARY MATERIAL
Tracey Emin looks to her life for her primary material. With soul-searching candour, she probes the construct of the self but also the very impulse to create. Unfiltered, irreverent, raw, she draws on the fundamental themes of love, desire, loss…
MICHAEL ARMITAGE – CRUCIBLE
Enjoy this exhibition of new work by Kenyan British artist Michael Armitage at David Zwirner Gallery New York. This is Armitage’s first solo show with the gallery since the announcement of his representation in 2022 and his first solo presentation…
ART BASEL 2025 – Global Creativity
From June 17 to 22 – with public days from June 19 to 22 – the Swiss city of Basel once again turns into a busy hub for the global art world. Art Basel returns with its full spectrum of…
Luca Sára Rózsa – The circle of life05
Luca Sára Rózsa analyses the complex relationship between mankind and his environment. Her figures, taken from the Bible and mythology, are often shown in a natural setting in line with the representational portraiture of the Renaissance and the baroque. Rózsa…
Rita Ackermann “Doubles (2024-2025)”
Rita Ackermann’s series of works “Doubles (2024 – 2025)” bespeak things that bedevil one another: a present the artist can never be at one with; a past that disallows any full disencumbering—images so well-known that they might be better forgotten.…
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