• Art

    Adam Pendleton – A Microhistory of Marks and Impressions

    The Hirshhorn Museum currently presents Adam Pendleton: Love, Queen, a landmark exhibition of new and recent paintings as well as a single-channel video work in the Museum’s second-floor inner-ring galleries from April 4, 2025, to January 3, 2027. For his…

  • Blackqube

    ART PARIS 2025

    Doors are open at Art Paris 2025. The fair makes its triumphant return to the newly renovated Grand Palais, solidifying its status as the premier spring event for modern and contemporary art. This 27th edition hosts 170 exhibitors from 25…

  • Art

    “A KINDER TIME”CLARE WOODS AT STEPHEN FRIEDMAN GALLERY

    In this exhibition, painter Clare Woods deploys still life to meditate on the fragile threshold between life and death. As art critic Charlotte Mullins writes, “while still life has historically been belittled by academic institutions for depicting inanimate objects, it is this…

  • Blackqube

    Art Basel Hong Kong 2025

    Art Basel Hong Kong is once again transforming the Hong Kong Convention and Exhibition Centre (HKCEC) into a global meeting point for contemporary art. With 240 participating galleries from 42 countries and regions, this year’s edition keeps its promise to…

  • Blackqube

    SOPHIE TREPPENDAHL

    Like a scene by Édouard Vuillard, Sophie Treppendahl’s paintings present familiar places to which we have never been. Her interiors are warm and inviting. Comfortable and full of reading, art-making, eating, cooking – life. However, the placement of Treppendahl’s objects is particular. She…

  • Art

    “PASTELS” GEORGE CONDO AT HAUSER & WIRTH

    George Condo’s exhibition ‘Pastels’ at Hauser & Wirth Gallery, New York City, offers a glimpse into the artist’s creative process and unbound inventiveness through the medium of pastel. Condo’s new works challenge the limits of improvisation within this medium. We…

  • Art,  Blackqube

    Paulina Olowska

    Enjoy the latest works of Paulina Olowska, presented at Pace Gallery, Geneva. Olowska’s multilayered practice—spanning painting, collage, sculpture, video, installation, and performance—is underscored by a curatorial methodology that treats the past, particularly the histories of female experience and perception, as…